Art Deco Beauty: Stockport Plaza

Not far from Manchester lies Stockport, a town with excellent charity shops, a history of hatmaking (which will be explored in a future post once I finally visit the museum), wartime air raid tunnels, and a fabulous theatre; The Plaza. 

The theatre shortly after it opened in 1932

The Plaza was built as a performance theatre and 'super cinema' in 1932, erected at the cusp of the arrival of talking pictures, and decorated lavishly in ostentatious art deco style. My mum lived in Stockport in the 1970s, but alas by then the Plaza was a run-down bingo hall, a decayed ruin of its former self. In 2000 a trust was set up to buy the cinema back from the leisure company who had allowed it to fall into disrepair and who had ripped out some of the beautiful original features, and after just six months' intensive restoration the Plaza was back in business and back to its full 1930s splendour.

The Compton Organ

Thankfully, even in the bingo hall days, the Compton theatre organ survived relatively unscathed, and is in full working order today. The glass panels light up in a myriad of colours all around it, and the organ has no electrical amplification - its enormous sound is produced solely by pipes and valves, disguised behind one of the filigree panels in the wall to the side of the stage.

Prior to every film shown at the Plaza there is an organ recital of classic tunes from the 1920s-50s, it's marvellous to hear them, and to watch the old ladies in the crowd singing along.

Lloyd Loom furniture in the tearoom

One casualty was the Plaza tearoom's furniture, which was lost. Luckily, it was all made by the fabulous Lloyd Loom, who are still going strong after nearly a century. They traced and recreated the original designs and colour scheme, so well in fact that when we visited the tearoom I thought the furniture was all original; it was perfect, down to the tiny vintage brass labels on the back of each Lloyd Loom chair.

Stage panorama copyright Njo LEDs Ltd.

In the early days the theatre was lit by 'Holophane' colour-changing prismatic lighs, during the restoration the beautiful rainbow colours were put back into place using modern LED technology. The colour changing light show is captivating, bathing every gilded surface and really showing off every little feature of the interior.

Picture copyright Stockport Plaza

The exterior. The Plaza was built into a solid sandstone rock face, as were many other buildings along the same street, including the WWII Stockport tunnels air raid shelters which I visited recently and will cover in another post.

Picture Copyright Stockport Plaza

Recently I visited the Plaza to see The Artist and, rather aptly, The Smallest Show on Earth, a British comedy from 1957 starring Peter Sellers, in which a run-down 'fleapit' of a cinema is restored to its silent-era glory. It was lovely to see these films in such an appropriate vintage setting. You also get a film before every feature screening, such as a Laurel and Hardy or Harold Lloyd comedy short, and a vintage newsreel! For the traditionalists among you there is also the national anthem at the end of each film, along with a kitsch Technicolor reel of the Queen trooping the colour in the 1950s.

Picture by Steve Rogers, on our outing to see The Artist

The Plaza runs films, plays, dance and variety performances all year round and you can find more information on their website.You can find even more stunning photos of the Plaza here and here.

Stage panorama copyright Njo LEDs Ltd.

Art Deco Beauties

When I first moved into my flat, there were three framed prints in the hallway waiting to be thrown out. I saved them, of course, and they have languished in a corner ever since. During a cleaning frenzy the other day, I decided to take a closer look at them. One of the frames is coming apart a little, so I managed to take a peek beneath the backing paper.


The pictures are artwork prints given away by the Pompeian Beauty Company, and date from 1924! The glass needs a good clean, I think they'll look considerably brighter once they've had a good polish as I suspect the yellowish cast is nicotine staining on the surface - hopefully the paper itself has been protected by the sealed frames.


One of the prints sold on eBay this week for £34.49 (here), as you can see it has the Pompeian Beauty logo at the bottom with the artist's name, Gene Pressler. This part is cut off on my prints, obviously whoever framed them didn't like the branding on there so cut it off rather than folding it under, which is unfortunate.


Information on the company is fairly scarce online, but I came across this small article on Massage Magazine's website, about the history of Pompeian massage cream which has a little of the company's history. Though much of the available information relates to the brand's Canadian roots, it was in fact an international company, with its British headquarters in Leeds.

"The Pompeian Manufacturing Company began in a small drugstore on the outskirts of Cleveland, Ohio, in the late 19th century. Among its product line, the Pompeian Massage Cream was a favorite with barbers around the world - even though it was promoted to men and women alike.

Pharmacist Fred W. Stecher, the son of a German immigrant, created the soothing after-shave massage cream in the back room of his small drugstore on the west side of Cleveland. But it was Otto F. Leopold, who after Stecher's death would become president of the company, who led the creation of its famous "Pompeian Beauty of the Year" contest. Film star Mary Pickford was one of the first Pompeian beauties to grace the advertisements of the company, and helped Leopold to become one of America's early cosmetic tycoons.

In 1927 the Pompeian Manufacturing Company was sold to Colgate Palmolive Peet for $1 million. Six months later the entire Pompeian line of products was discontinued and the legacy of Pompeian Massage Cream and its "Pompeian Beauty" ended. But the legacy was the first great advertising campaign using the word massage in its product name. From the examples shown here you can get an idea of the broad approach the company took in marketing its Pompeian Massage Cream product.

Today the Pompeian Massage Cream jars, sample tins, ads and posters are considered collectable antiques."

-Robert Noah Calvert

There is also a more thorough history of the company and its products on the Collecting Vintage Compacts blog, which is full of interesting bits about vintage cosmetics and has some lovely Pompeian advertising pictures.


I had a chuckle at this inscription which is at the top on the back of the panel, hopefully he married her for more reasons than just her 'lasting youth and girlish loveliness'.

Manchester Deco

This post is dedicated to Miss Matilda, as it features her combined loves of Manchester, art deco and Carole Lombard!

Some friends and I have been taking swimming lessons at a Bannatyne's health club, which is situated inside Sunlight House on Quay St. in Manchester, next door to the opera house. The basement pool is absolutely gorgeous - all original deco railings and tiles, an unusual shape, and a stunning domed stained glass ceiling looking up to daylight between the four sides of the building which provides much inspiration whilst practising my backstroke!

Unfortunately I can't find a picture anywhere of the pool, but here is a dramatic one of the building, taken by remote_release on flickr.



On the stairs by the pool there are pictures of its opening in 1933! It was 'Christened' with Champagne by Carole Lombard and Douglas Fairbanks Jr.

My photos here are a bit rubbish as the glass created flare, and I have just noticed that there are reflections of Natalie and Katherine who were standing behind me on the stairs, but there are some great vintage swimsuits and shoes to be seen! I especially love the diving man's swimwear in the last picture, with the swallow appliqué.





Sunlight house was completed in 1932 and was Manchester's tallest building at fourteen floors, it was originally intended to be forty storeys high but the city council blocked the plans. I imagine that if it had been built to the original plans, with soaring white towers and glittering glass, it would be regarded as a UK Art Deco landmark, rather than just a building of local interest.